Cytomic The Drop v1.0.6 WiN x86 x64 V.R-Based Patch
The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.
Dual stereo resonant filter with a Highpass into Lowpass
Seven different detailed circuit models
Stereo and Mono processing with either 2 or 4 poles
Loads of drive and character
Full frequency range and perfect resonance tracking without oversampling so there is no latency in processing
Huge amounts of resonance if you want and also "Safe" button for DJ use where screaming self oscillation is not desired
One basic and one advanced LFO capable of audio rate stereo modulation
Two analog modelled AHR envelopes that double as envelope followers, one for the cutoff and one for amplitude
FM from main audio input or sidechain audio input
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
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Circuit Modelling and DSP
Cytomic uses the same circuit modelling techniques that are used in professional circuit simulation packages but optimised for real time use. The structure including all feedback loops and useful non-linearities of the original circuit has been preserved. The algorithm uses actual values for resistors, capacitors, diodes, transistors and other circuit components. The voltages and currents are solved in real time and match as closely as possible to the analog circuit in both the time and frequency domains.
TDR VOS SlickEQ GE v1.2.0 x86 x64
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic "Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands.
SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical "mojo” often associated with high quality analogue audio gear, up to more obvious saturation.
An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. "internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see "M/S” microphony).
Key specs and features
Modern user interface with outstanding usability and ergonomics
Carefully designed 64bit "delta” multi-rate structure
Three semi-parametric filter bands, each with two shape options
Five distinct EQ models: American, British, German, Soviet and Japanese
Low band offers an optional phase-lag able to delay low frequencies relative to higher frequencies
High pass filter with optional "Bump” mode
Low pass filter with two different slopes (6dB/Oct and 12dB/Oct)
Parametric Tilt filter with optional "V” mode.
Seven output stages: Linear, Silky, Mellow, Deep, Excited, Toasted and Funky
Highly effective loudness compensated auto gain control
Expandable frequency magnitude response display including a realtime analyzer
Stereo, mono, left, right and sum/difference (mid/side) processing options
Tool-bar with undo/redo, A/B, advanced preset management and more
Togu Audio Line Sampler v1.4.6 WiN/MAC-UNION
TAL-Sampler is not just a sample player. It's a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.
Don't expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.
It's possible to choose between different digital analog converters (DAC's) to get the vintage sound of different hardware samplers inside your DAW. We don't make cheap bit crushing or decimation on the output signal. We really down-sample the sample to the desired sampling frequency, then process the data depending on the chosen DAC and up-sample it to the desired pitch. Most DAC modes offer a LEVEL slider. This feature allows the user to reduce the volume of the recorded sample and decreases the sample quality. Load your favorite high quality sample and make it sound vintage and noisy. The 24dB low pass filter will like it!
Following diagram shows the signal flow if you choose the DAC Emu II mode:
The plug-in has four layers an can play four samples simultaneous. There is also a simple SFZ import for samples that imports the mapping and sample paths, but the plug-in also contains an easy to use mapping editor.
TAL-Sampler is available in the VST, Audio Unit and AAX plug-in format. You can load and play your own samples in every common sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac). Import samples with drag & drop from finder or explorer. There is also an intuitive sample browser that helps to find samples fast.
Some nice additions like a vintage real-time time stretcher and the possibility to modulate or automate the sample loop positions.
Vintage DAC modes (Emu II, AM6070, Sample Hold).
Steep 96dB low-pass reconstruction filter (Emu II and AM6070 F).
Variable sample rate.
Four sample layers.
Three AHDSR envelopes with vintage Digital / RC mode.
Three LFO's (Triangle, Saw, Rectangle, Random, Noise).
High Quality effects (Reverb, EQ, Delay).
Self resonating zero feedback delay filter (24/12/6 dB LP).
Wide range of audio formats supported (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac).
Scalable high resolution user interface.
The possibility to change font and background colour.
Fast sample and preset loading.
More than 100 presets available as download (on the right).
Blue Cat Dynamics 4 x86 x64 Incl Patched R2R-Based
Blue Cat's Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior.
The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to.
The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor.
An additional brick wall limiter and clipper protects the output for complete control over the dynamics response.
Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.
The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application.
All these features can be controlled from a fully configurable and "skinnable" user interface, or from any external controller.
The package includes a mono and a stereo version for optimal CPU usage.
- Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.
- Total control over the processor: continuous peak/RMS and Opto/VCA modes selection, peak envelope shape control, depth control to limit the gain range.
- Total control over the signal: dry/wet control for parallel compression, input and side chain filters.
- Stereo or mid-side processing with multiple channels linking options.
- Post brickwall limiter or clipper.
- Optimal monitoring: dynamics response, envelopes and gain reduction real time display with zooming capability. The main compression information can be recorded as automation curves.
- Best quality: up to 4x oversampling for the best sounding quality.
- Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.
- Fully configurable user interface for optimal experience.
Blue Cat Audio Standards:
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Skinnable and customizable user interface with transparency management.
- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Full featured integrated presets manager.
- Copy/paste the plug-in's state between instances using the system clipboard.
- Any sample rate supported.
Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched
The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.
Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities
Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities
Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode
Acon Digital Equalize v1.1.12 x86 x64
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.
Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.
Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth, resonance and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.
Audified STA Phaser v1.5.1 Incl.Keygen WiN/MAC-R2R
This effect is comprised of an emulation of analog phaser effect and Summing Tube Amplifier (STA) which mixes the wet and dry signal as well as it adds a nonlinear distortion resulting in more vintage sound. Primarily, this effect is designed to be used as an insert effect to fully exploit the summing circuit. The plugin has also a "Wet only” option when only the effected signal is processed by the tube circuit, which allows to use the plugin also in a send bus.
DAW application supporting VST 2.4/VST 3/AAX/AU (Mac only) formats
PC: CPU with SSE2 support (Intel Pentium 4 or AMD Athlon 64 and newer), Windows Vista, Windows 7, 8 (32-bit/64-bit)
Mac: Intel Core, Mac OS X 10.7, 10.8, 10.9, 10.10
CPU speed 1.5 GHz, 50 MB of HDD space, Screen resolution at least 1024x768 (recommended 1280x800 and more)