LVC-Audio Limited-Z v1.0.1 Incl.Patched and Keygen WiN/MAC-R2R
Limited-Z is a specialized and easy-to-use limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-Z dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-Z is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion…AND, IT’S FREE!
Limited-Z is based on LVC-Audio’s full-featured mastering limiter, Limited-MAX. It includes many of the underlying limiting processing engines, while simplifying the user interface. This includes a special customized variable clipping algorithm based on LVC-Audio’s ClipShifter. The result is a mastering limiter that is both configurable and useful, without a significant learning curve. Internally, Limited-Z includes attack and release controls, look-ahead, stereo linking, program-dependent release timing, dynamic EQ, and DC filtering; however, these internal settings are packaged into several unique limiter modes.
Although Limited-Z is a designed to be easy to use, it includes many standard and useful LVC-Audio features. This includes an output meter including VU-style, PPM-style, and loudness metering; waveform history display with RMS; adjustable scale for all metering; AutoGain control (for auditioning the sound of the limiter without volume changes); undo/redo history; and A/B comparison controls.
The paid version of Limited-Z adds the following features:
Selectable secondary metering that includes Input Level, estimated Distortion Level, and ISP meter
K-Metering of input and output levels
Linear-phase oversampling (2x, 4x, or 8x)
Continually adjustable output margin control between 0 dB and -1.5 dB, and 0 dB and -10 dB for post-production
Adjustable X/Y controls for the Dynamic Algorithm settings for easily fine-tuning the limiter’s overall sound and aggressiveness
- Fixed issue with occasional AU validation failure with free version
- Fixed issue with recalling X/Y settings with paid version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”
Clip, Compress, Distort, or Limit: you get to choose
ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.
ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.
Dial-in the sound of your choice, from heavy distortion to subtle compression
ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.
Choose your frequencies (paid feature)
The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).
Oversampling & Doubling (paid feature)
Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.
Mid/Side Processing (paid feature)
Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.
Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing
- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
LVC-Audio Latest Plugin Bundles WiN/OSX 12.2015-R2R
Sonoris Multiband Compressor v220.127.116.11 Incl Patch and Keygen WiN/OSX-R2R
The Sonoris Multiband Compressor is a versatile multiband compressor suitable for mastering or mixing. It is meant to be a compressor that can be very transparent but also have some "character”.
It has three independent frequencybands followed by three compressors based on the Sonoris Compressor. The three bands are created with special designed filters to avoid phase cancellation problems. These filters are known as Linkwitz-Riley crossover filters and have a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce delay and are more efficient in use.
Transparency can be achieved by selecting auto-release and opto envelope emulation together with two soft knees. If a more warm sound is needed you can for example choose RC envelope emulation with a harder knee.
The SMBC has three high resolution gain reduction meters and a transfer graph, so you can actually see what you are doing. The ratio is allowed to be lower than 1 so it’s also an expander. Maximum ratio is infinity for limiting action.
The individual bands can also set to limiting, what results in a multiband limiter!
The output section of the SMBC also features a limiter. This guarantees that the output will never exceed the 0dB point. This limiter can also be used as an effect to "warm” up a signal.
The SMBC is able to process one channel only. With this feature, in combination with the Sonoris MS Codec, it is possible to perform very powerful processing in the MS domain.
R2R has decided to release some of their earlier INTERNAL releases to the public today
iZotope RX Post Production Suite 1.00 patched WiN X86 X64 NO iLOK
There has never been a more comprehensive solution for your production audio—from audio repair, editing, and mixing enhancement through final delivery.
Get award-winning and industry-standard audio editing and repair features with RX 5 Advanced Audio Editor, transparent limiting and sonic balancing mixing capabilities with RX Final Mix, broadcast loudness compliant mixes globally with RX Loudness Control, and iZotope's essential metering product, Insight. With unified workflows across the products, you can work seamlessly without interruption.
What does RX Post Production Suite include?
RX 5 Advanced Audio Editor: The Professional's Choice for Rescuing Audio
RX 5 Advanced Audio Editor rescues any audio from the cutting room floor with our flagship audio repair toolkit. Features zero latency, real-time dialogue de-noising and instant, one-click processing. Remove distortion, mic interference, plosives and mouth clicks; replace missing ambiences; and more.
RX Final Mix: Every Sound in its Place
RX Final Mix gives your mixes, stems and sub-mixes a smooth sonic balance. Mix in real time, surround sound with significantly lower latency. The Dynamic EQ and broadcast standard True Peak Limiter are optimized with intelligent audio processing, to deliver reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels. Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!
RX Loudness Control: Automatic Global Loudness Correction
RX Loudness Control works faster than real-time to ensure your audio mixes are delivered within the appropriate loudness standards. Designed specifically for audio/video post production and broadcast workflows, RX Loudness Control combines industry-leading, intelligent audio signal processing with an easy-to-use interface… unparalleled in speed, accuracy, reliability, and sound quality.
Insight: Visual Intelligence for your Mixing and Mastering
Insight iZotope's comprehensive metering suite for post production and broadcast applications. Insight provides an extensive set of audio analysis and metering tools, perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, and ensuring compliance with broadcast loudness standards. Fully customizable and scalable, Insight allows you to visually monitor all relevant information from your mono, stereo or surround mix in a convenient floating window. Keep an eye as well as an ear on your mix at all times with Insight.
No need for ilok :)
Voxengo Deft Compressor v1.6.1.Incl.Keygen WiN/MAC
Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce "slim” and "slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and release stages. S-curve timing function also helps compressor to sound "warm” and "clean” at most settings.
While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to "smash” audio signal if you use attack settings as low as 0.01 millisecond. Even though the S-curve is the marked feature of Deft Compressor, you can smoothly change it to a steeper L-shape by adjusting the "Punch” parameter.
Deft Compressor also features a so called "vintage” compression mode which produces compression sound reminiscent of analog tube compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Beside that, you may switch between the "feed-forward” and "feedback” compression modes.
Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.
Deft Compressor features:
Adjustable S-curve timing function
"Vintage” compression mode
Feedback compression mode
Auto make-up gain
Key signal filtering
Stereo and multi-channel processing
Internal channel routing
Up to 8x oversampling
64-bit floating point processing
Contextual hint messages
All sample rates support
Zero processing latency
Version 1.6 includes the following changes:
Fixed crash in WaveLab 8.5.
Implemented color scheme editor with load and save functions.
Added "Brown", "White" and "Cyan" color schemes.
Redesigned the infrastructure controls.
Made internal channel names start at "C" to reduce confusion with the A/B comparison buttons.
Blue Cat Dynamics 4 x86 x64 Incl Patched R2R-Based
Blue Cat's Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior.
The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to.
The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor.
An additional brick wall limiter and clipper protects the output for complete control over the dynamics response.
Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.
The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application.
All these features can be controlled from a fully configurable and "skinnable" user interface, or from any external controller.
The package includes a mono and a stereo version for optimal CPU usage.
- Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.
- Total control over the processor: continuous peak/RMS and Opto/VCA modes selection, peak envelope shape control, depth control to limit the gain range.
- Total control over the signal: dry/wet control for parallel compression, input and side chain filters.
- Stereo or mid-side processing with multiple channels linking options.
- Post brickwall limiter or clipper.
- Optimal monitoring: dynamics response, envelopes and gain reduction real time display with zooming capability. The main compression information can be recorded as automation curves.
- Best quality: up to 4x oversampling for the best sounding quality.
- Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.
- Fully configurable user interface for optimal experience.
Blue Cat Audio Standards:
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Skinnable and customizable user interface with transparency management.
- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Full featured integrated presets manager.
- Copy/paste the plug-in's state between instances using the system clipboard.
- Any sample rate supported.